Blog

  • Parker Publishers Launches Alpaca Authors, the First Publishing Imprint in Independent Publishing Built Entirely Around Market Prediction

    Parker Publishers Launches Alpaca Authors, the First Publishing Imprint in Independent Publishing Built Entirely Around Market Prediction

    While the rest of the industry publishes books and hopes for the best, Alpaca Authors only publishes books the data confirms the market is ready for

    Orlando, FL — April 30, 2026
     — Every year, tens of thousands of authors invest everything they have into writing, editing, and publishing a book that the market never asked for. Not because the book was bad. Not because the author lacked talent or commitment. Because nobody stopped to ask the most important question before the process began: is the audience actually there?

    Alpaca Authors, the newest imprint from Parker Publishers, was built around that question. Launched earlier this year, Alpaca Authors is the first publishing imprint in the independent publishing space to operate entirely around market prediction, combining artificial intelligence, real time reader demand data, and human editorial judgment into a single integrated system that tells authors with measurable certainty whether their book has a waiting audience before a single dollar is spent on production.

    The answer to that question determines everything. Authors whose books pass the Alpaca Authors data threshold do not launch into the unknown. They launch into a market that the data has already confirmed is ready for them.

    “Every other publisher in this space is essentially making educated guesses,” said a spokesperson for Alpaca Authors. “They read manuscripts, they trust instincts, they look at comparable titles, and they make a call. Some of those calls are right. Many of them are not. We do not guess. We do not assume. We look at what the data is telling us about reader demand, genre momentum, audience behavior, and market timing, and we make decisions based on evidence. That is a fundamentally different way of publishing and it produces fundamentally different outcomes for authors.”


    What Data Driven Publishing Actually Means

    The phrase data driven gets used loosely across almost every industry. At Alpaca Authors, it has a specific and non negotiable meaning.

    Before any manuscript is accepted onto the Alpaca Authors roster, it goes through a rigorous market intelligence evaluation conducted by Parker Publishers’ 150 person data and research team. This is not a committee of editors debating whether a book feels right for the current market. It is a systematic, evidence based analysis of whether the market has the conditions necessary for that specific book to find its audience, gain traction, and sustain commercial momentum beyond its launch window.

    The evaluation examines reader purchasing behavior across every major retail platform in real time. It tracks which genres are growing, which are saturating, and which are showing early signals of emerging demand based on search trend data, social conversation volume, pre order patterns, and review sentiment analysis. It identifies which reader demographics are most active in a given category, which platforms they are using to discover new titles, and which content signals are driving their purchasing decisions at this precise moment in the market.

    It looks at writing style. It looks at narrative structure. It looks at which approaches within a specific genre are generating the highest completion rates, the highest review rates, and the highest rates of readers going on to purchase additional titles from the same author. It examines price point performance, metadata effectiveness, cover design response patterns, and launch timing windows specific to each genre.

    “We are not looking at a manuscript and deciding whether we like it,” the spokesperson said. “We are looking at the market and determining whether it is ready for it. Those are two completely different questions and the second one is the only one that actually predicts commercial success. A beautifully written book launched into a saturated market at the wrong time with the wrong positioning is a book that disappears. A well written book launched into a confirmed audience gap with the right positioning is a book that finds its readers. Our job is to know the difference before the author spends a single dollar finding out the hard way.”


    The Selection Process That Not Every Author Will Pass

    Alpaca Authors is open to authors at every stage of their publishing journey, from debut writers with a first manuscript to experienced authors pursuing a more strategic approach to their second or third title. What it is not open to is every book that walks through the door.

    The data driven selection process means that not every manuscript will qualify for the Alpaca Authors imprint. This is not a reflection of an author’s talent, their dedication, or the quality of their writing. It is a reflection of market conditions that exist independently of any individual book. If the data does not confirm that the audience exists, that the timing is right, and that the market conditions are favorable, Alpaca Authors will not take on the title.

    This standard is what makes the imprint meaningful. An Alpaca Authors stamp on a book does not just mean the manuscript passed an editorial review. It means the data confirmed the market was ready for it. That is a signal that carries weight with readers, retailers, and the broader publishing ecosystem in a way that editorial approval alone cannot replicate.

    “We tell authors the truth before they invest,” the spokesperson said. “If the data tells us the market is not there right now, we say so. That is not a rejection of the author. It is the most useful information we can give them, because it means they are not walking into a launch that the data already told us would struggle. Some authors will come back six months later when the market conditions have shifted. Some will adjust their approach based on what the data revealed. Either way, they are making decisions based on evidence rather than hope.”


    How the System Works: AI, Data, and Human Judgment as One

    What separates Alpaca Authors from publishers who claim to use data in their decision making is the integration of three distinct capabilities into a single, unified system.

    The first is artificial intelligence deployed specifically for market projection and prediction, not for writing or editing. Alpaca Authors uses AI to process the volume and complexity of market data that no human team could analyze manually at the speed the market demands. Reader behavior patterns, genre trend trajectories, platform algorithm signals, social conversation momentum, and retail performance data are continuously processed and translated into actionable market intelligence that informs every publishing decision the imprint makes.

    The second is Parker Publishers’ 150 person data and research team, whose work goes deeper than any automated system can reach. When the AI surfaces a signal, human analysts investigate it, contextualize it, and determine what it actually means for a specific book, a specific author, and a specific launch window. A color change on a book cover is not a creative preference at Alpaca Authors. It is a decision backed by thousands of data points suggesting that readers in a specific genre, on a specific platform, in a specific price category respond to that visual signal in ways that measurably improve conversion. Everything is evidence based. Nothing is assumed.

    The third is human editorial judgment, which remains the irreplaceable final layer in the system. Data can tell you whether an audience exists and whether a market is ready. It cannot replace the craft knowledge, genre expertise, and narrative intelligence that Hazel Grace’s team of more than 50 genre specific editors brings to every manuscript that enters the Parker Publishers ecosystem. At Alpaca Authors, the data and the editorial work together. The data identifies the opportunity. The editorial ensures the manuscript is exceptional enough to seize it.

    “We are not using AI to replace what human editors do,” the spokesperson said. “We are using AI to answer the questions human editors cannot. An experienced editor can tell you whether a manuscript is ready for readers. Our data system can tell you whether the readers are ready for the manuscript. You need both answers before you publish. For the first time in independent publishing, Alpaca Authors gives authors both.”


    The Promise Every Alpaca Authors Title Carries

    When a book launches under the Alpaca Authors imprint, it carries a promise that no other independent publisher in the market can make: the data said the audience was there before the first copy was printed.

    That promise changes the nature of the launch entirely. The marketing strategy Adam Miller’s team executes is not built on reaching out into the unknown and hoping readers respond. It is built on reaching a confirmed audience with a precisely targeted message, on the platforms where that audience is already active, at the moment the data identified as the optimal window for that specific title. The credibility infrastructure Maxine Black and Rachel Miller build around each author lands in a media landscape that the data has already mapped. The author development work Justin Sedaris brings to each publishing journey is oriented toward a second and third title in a genre that the market data has already confirmed has growing reader demand.

    “The authors who come through Alpaca Authors are not gambling on whether their book will find its readers,” the spokesperson said. “They are executing a plan that started with evidence. That is what publishing should look like. That is what it has never looked like in independent publishing until now. We built Alpaca Authors to change that. We are just getting started.”

    Alpaca Authors is an imprint of Parker Publishers, a full service publishing partner based in Orlando, Florida. Parker Publishers offers ghostwriting, editing, publishing, audiobook production, book fair representation, PR and media positioning, data driven market strategy, and marketing services across more than 20 genres, with distribution across Amazon Kindle, Barnes and Noble, Apple Books, and all major retail platforms.

    Authors interested in being considered for the Alpaca Authors imprint can begin the application process at alpacaauthors.com or by calling 1 (689) 285-8011.

  • Ohio Author Edward S. Bicker Releases Debut Book, Pandora’s Ball

    Ohio Author Edward S. Bicker Releases Debut Book, Pandora’s Ball

    A nonfiction debut examining media, government, education, and institutional influence on public perception

    Seven Hills – Ohio , 4/30/2026, Edward S. Bicker, a political activist, community leader, and MBA holder based in Seven Hills, Ohio, announces the release of his debut book, Pandora’s Ball. Drawing on more than 3 decades of independent research and civic engagement, the book examines how major institutions shape public belief and behavior.

    Pandora’s Ball is structured as a guided exploration through the systems most people interact with daily but rarely scrutinize: mass media, government operations, public education, the healthcare industry, and organized religion. Bicker presents each topic with accessible language and draws on documented sources, personal experience, and historical context to encourage readers to form their own conclusions.

    About the Book

    The book opens with an analysis of how mass communication channels select, frame, and distribute information to shape audience perception. Subsequent chapters address government growth and fiscal accountability, the human and financial costs of military conflict, declining academic outcomes despite rising education spending, pharmaceutical industry practices, and the relationship between institutional religion and individual spirituality.

    The second half of the book challenges readers to examine long-held scientific and cosmological assumptions, presenting alternative perspectives alongside mainstream positions. Bicker frames these chapters not as definitive conclusions but as starting points for further inquiry and independent research.

    Timeliness and Relevance

    Pandora’s Ball arrives at a time when public trust in media, government, and academic institutions is under significant scrutiny. According to Gallup, confidence in major U.S. institutions has reached historic lows across multiple categories. Bicker’s book offers readers a framework for evaluating the information they receive and making independent, informed assessments.

    About the Author

    Edward Spiro Bicker is a political activist, community volunteer, former city councilman, and college mathematics tutor based in Seven Hills, Ohio. He brings over 30 years of professional experience as a union worker, 20 years in a supervisory capacity, and 3 years as a shop steward. Bicker holds a Master of Business Administration and is a member of Delta Mu Delta International Honor Society. He is an advocate for civic engagement, critical thinking, and holistic personal wellness.

    Book Details

    Title: Pandora’s Ball

    Author: Edward S. Bicker

    Genre: Nonfiction / Social Commentary / Current Affairs

    Availability: Available on Amazon

    For Any Media Inquiries, Please Contact Sia Stone

    Email: sia@parkerpublishers.com

    Phone no: +1 (689) 304-8480

    Website: www.parkerpublishers.com

  • Elyria Native Johnnie Robert Capers Releases Debut Book, The Deal Is Real: GODS Pension Plan For Man

    Elyria Native Johnnie Robert Capers Releases Debut Book, The Deal Is Real: GODS Pension Plan For Man

    An autobiographical testimony of faith, wrongful conviction, and redemption published by Parker Publishers

    Parker Publishers announces the release of The Deal Is Real: GODS Pension Plan For Man, the debut book by Johnnie Robert Capers. The autobiographical testimony traces Capers’ journey from a turbulent childhood in Elyria, Ohio, through wrongful incarceration, a murder trial ending in full acquittal, a stroke, and his path to spiritual restoration through faith in GOD.

    About the Book

    The Deal Is Real is a first-person account spanning more than 5 decades of Capers’ life. The narrative begins in Elyria, Ohio, where Capers grew up as the only son among 6 sisters and left home at age 13. He spent 4 years and 9 months at the Ohio State Reformatory in Mansfield for a crime he did not commit before relocating to Saint Paul, Minnesota, in 1985.

    The book documents 2 separate criminal cases in which Capers maintained his innocence. In 2009, he was convicted of 5th Degree Possession of Cocaine after his court-appointed attorney failed to file a motion for DNA testing of the evidence. The Minnesota Court of Appeals overturned the conviction in 2010, citing ineffective assistance of counsel. In 2019, Capers was charged with 2 counts of 2nd Degree Murder in connection with a decades-old homicide. After a trial in August 2022, a Ramsey County jury returned a unanimous verdict of Not Guilty on both counts.

    Capers also writes about his recovery from crack cocaine, cigarette, and alcohol addiction, which he describes as a miraculous deliverance on August 8, 2008, and a stroke he suffered in October 2022, 2 months after his acquittal. Throughout the book, he frames each chapter of his life through the lens of what he calls “GOD-dependence” versus the self-reliant mindset he terms “I’m-ma-do.” The narrative is grounded in extensive Biblical scripture and positions faith as the central force behind his survival and restoration.

    What Distinguishes the Book

    The Deal Is Real is not structured as a conventional memoir with a redemptive arc leading to material success. Capers writes without self-pity or condemnation of the individuals involved in his legal cases. He names actions and circumstances but does not assign personal blame. The book’s title refers to his conviction that GOD’s provisions for those who trust in Him constitute a guaranteed “pension plan” that surpasses any worldly compensation. Every reference to GOD in the text appears in full capitals, reflecting the author’s personal practice of honoring the Name.

    About the Author

    Johnnie Robert Capers was born and raised in Elyria, Ohio. He has lived in Saint Paul, Minnesota, since 1985. He is a songwriter and guitarist whose lyrics center on GOD and Jesus Christ. The Deal Is Real: GODS Pension Plan For Man is his first published book. The book is written for readers aged 12 and older.

    Book Details

    Title: The Deal Is Real: GODS Pension Plan For Man

    Author: Johnnie Robert Capers

    Publisher: Parker Publishers

    Genre: Autobiographical Testimony / Faith / Memoir

    Availability: Amazon (Kindle and Paperback)


    Contact Information

    Dean W.

    Parker Publishers

    Orlando, FL

    Voice: (689) 219 – 8883

    Email: info@parkerpublishers.com 

  • DEBUT AUTHOR KATE WOODCOCK RELEASES ENDURANCE, A MOTORSPORT ROMANCE SET AGAINST THE 24 HOURS OF LE MANS

    DEBUT AUTHOR KATE WOODCOCK RELEASES ENDURANCE, A MOTORSPORT ROMANCE SET AGAINST THE 24 HOURS OF LE MANS

    A fallen champion. A driven executive. One race that changes everything.

    Matt Davidson was once one of the most successful drivers in the United States, winning or placing in eighty-seven percent of his races. Then a single night changed everything. A devastating crash left him with a permanent limp, chronic pain, and a career he could no longer recognize. For two years, he has stayed out of the spotlight, working in a Las Vegas garage, fixing cars he can no longer drive and keeping his distance from the track he once dominated.

    Erica Richter is the Head of Richter Automotive Group. When she submitted her resume for the position, she did it blind so the board would evaluate her work, not her last name. She went on to build the Rasant GT from the ground up—a car designed to compete at the 24 Hours of Le Mans. Now she needs a driver capable of taking it there. Not just any driver. She needs Matt Davidson.

    What begins as a professional partnership becomes something neither of them anticipated. But their path to Le Mans is not without obstacles. Jake Parker, a rival from Matt’s past, returns with ambitions that extend beyond the track, bringing media scrutiny, sabotage, and mounting pressure that threatens to destroy what Matt and Erica are building before they ever reach the starting line.

    Endurance is a story about earned redemption, ambition under pressure, and the kind of trust that can only be built when nothing is guaranteed.

    BOOK DETAILS

    Title: Endurance

    Series: Richter Racing Series, Book 1

    Author: Kate Woodcock

    Genre: Contemporary Romance, Sports Romance

    Available: Amazon, Barnes & Noble, and major retailers

    WHAT READERS ARE SAYING

    “Erica Richter is everything to me and I will not be taking questions.”

    “That proposal scene destroyed me. Absolutely destroyed me.”

    “Finally a romance where both leads feel like actual adults making thoughtful choices.”

    “He ignored the $70 million Ferrari and lost his mind over the Ford GT. That is how you write a man who actually sees a woman.”

    ABOUT THE AUTHOR

    Kate Woodcock spent years in the automotive industry before turning to fiction. That background informs every detail in Endurance, from pit stop strategy to the physical toll of racing for 24 hours straight. She lives in Washington with her fiancé Zach and a group of German Shepherds who keep her company during late night writing sessions. Endurance is her debut novel, with five more books planned in the Richter Racing Series.

    MEDIA AVAILABILITY

    Kate Woodcock is available for interviews, podcasts, and features. Recent appearances include Localist San Diego and Tampa Bay Morning.

    For review copies, interview requests, or media inquiries, contact:

    For Any Media Inquiries, Please Contact Sia Stone

    Email: sia@parkerpublishers.com

    Phone no: +1 (689) 304-8480

    Website: www.parkerpublishers.com

    Connect with Kate Woodcock:

    Website: www.katewwrites.com    

    Instagram: @authorkatewoodcock

    Facebook: /authorkatewoodcock

  • Vietnam Veteran’s Docu Novel Reveals the War of 1970 Through the Eyes of the Soldiers Who Fought It

    Vietnam Veteran’s Docu Novel Reveals the War of 1970 Through the Eyes of the Soldiers Who Fought It

    “See the Light, Kiss the Ground” by Steve Andrews blends historical fact with ground level fiction to deliver one of the most authentic Vietnam War narratives in recent publishing

    Florence, CO 4/30/2026 Parker Publishers announces the publication of “See the Light, Kiss the Ground: A Docu Novel of the Vietnam War” by Steve Andrews, a genre defying work that interweaves historical nonfiction with immersive fiction to tell the story of America’s most divisive conflict from the ground up.

    About the Book

    Set during 1970, the year the Vietnam War began its long, painful decline, “See the Light, Kiss the Ground” follows Staff Sergeant Mike Mitchell and his comrades through a full year of infantry service in the Central Highlands of South Vietnam. The book operates on two parallel tracks. The fiction track chronicles the daily realities of jungle patrols, firefights, booby traps, and the bonds forged under extreme conditions. The nonfiction track documents real events that occurred on the same dates: Nixon’s Cambodia invasion, the Kent State shootings, the My Lai trial, Apollo 13, Muhammad Ali’s comeback, and dozens of other moments that defined the year.

    The result is a work that CBS News correspondent Morton Dean, who reported from Vietnam during the war, has called “Authentic. Extraordinary. Compelling. Different from any war story I’ve ever read.”

    What Sets This Book Apart

    Unlike traditional war memoirs or purely fictional accounts, “See the Light, Kiss the Ground” occupies a rare literary space. The docu novel format allows readers to experience the war at two levels simultaneously: the intimate, visceral reality of combat at the squad and platoon level, and the broader historical forces that shaped the conflict. Each chapter carries a specific date in 1970, grounding the fiction in verifiable history and allowing readers who lived through that era to reconnect with events they may remember from a vastly different vantage point.

    The book also includes an extensive glossary of military terminology, acronyms, and weapons, making it accessible to readers unfamiliar with military culture, as well as an annotated bibliography documenting the historical sources behind the nonfiction chapters.

    About the Author

    Steve Andrews is a Vietnam War veteran and writer whose firsthand experience of the conflict informs every page of this book. His understanding of what soldiers endured during that era is not drawn solely from archives and interviews. It comes from having been there. That personal knowledge, combined with years of additional research, veteran interviews, and archival investigation, gives “See the Light, Kiss the Ground” an authenticity that separates it from accounts written at a distance. Andrews’ commitment to telling the stories of the men who served during 1970, a year often overshadowed by the more widely covered events of 1968 and the fall of Saigon in 1975, reflects both a writer’s discipline and a veteran’s sense of obligation to get it right.

    Book Details

    Title: See the Light, Kiss the Ground: A Docu Novel of the Vietnam War

    Author: Steve Andrews

    Publisher: Parker Publishers

    Format: Paperback, 6 x 9

    Available: Amazon, Barnes & Noble, and select bookstores nationwide

    For Any Media Inquiries, Please Contact Sia Stone

    Email: sia@parkerpublishers.com

    Phone no: +1 (689) 304-8480

    Website: www.parkerpublishers.com

    Review Copies and Interview Requests

    Review copies are available upon request. Steve Andrews is available for interviews, podcast appearances, veteran organization events, and book club discussions. To schedule, please contact Parker Publishers at the information listed above.

  • Coastal Georgia Author James Chess Addresses Suicide, Addiction, and Family Grief in New Memoir “Love Is Not Enough”

    Coastal Georgia Author James Chess Addresses Suicide, Addiction, and Family Grief in New Memoir “Love Is Not Enough”

    A father recounts the loss of his youngest son to suicide at 33, chronicling the family’s year of grief and the warning signs they wish they had recognized.

    St Simons island GA, 4/30/2026 Parker Publishers has released Love Is Not Enough, a memoir by James Chess documenting the death by suicide of his youngest son, Danny, at age 33, and the aftermath his family of 8 navigated in the year that followed.

    Danny Chess was the youngest of 6 children raised in the Atlanta area. He played sports through high school, attended Georgia College in Milledgeville, and later managed one of the family’s 2 AAMCO transmission centers in metro Atlanta. He had struggled with depression and addiction for years, entering rehab in 2013 and appearing, to his family, to have stabilized. On September 13, 2024, Danny died after jumping from a parking garage at the residential lofts he shared with his older brother Matt. He was 33.

    The book follows a roughly chronological structure, beginning with Danny’s childhood and the close bonds of a large Catholic family, then moving through his high school and college years, his time in rehabilitation, and the deceptions his addiction enabled in the years that followed. Chess writes with candor about the family’s experience during “Family Week” at Danny’s rehab facility in 2013, the gradual reemergence of Danny’s substance use, and the earlier suicide attempt in February 2024 that the family interpreted as a cry for help rather than a plan. The title reflects the central tension of the book: Danny knew he was deeply loved by his parents, siblings, nieces, and nephews, but that knowledge alone could not overcome his depression and addiction.

    Chess devotes sections of the book to suicide statistics and mental health data, noting that death by suicide is the 11th leading cause of death in the United States, with approximately 50,000 deaths in 2023. He writes that 90% of people who die by suicide have a mental health condition, and that suicidal crises often pass if access to lethal means is limited. The book urges readers who suspect someone is struggling not to let it go unaddressed. Chess describes learning the term “died by suicide,” which frames the act as the result of a disease rather than a personal failing, a distinction he found reassuring and accurate.

    Much of the second half of the memoir focuses on how the Chess family processed their grief. Chess and his wife, Marybeth, leaned on daily routines, particularly their morning beach walks on St. Simons Island, and on each other. Their children took varying paths to acceptance, some reaching it sooner than others. Chess also writes about what he calls “The Dead Son Effect,” describing the invitations, phone calls, and acts of kindness from friends and community members that might not have happened otherwise. He credits full disclosure about the circumstances of Danny’s death, including the addiction, depression, and suicide, with helping the family move forward and connecting them with others who had experienced similar losses.

    “This book is about more than our son Danny’s death,” Chess writes. “We thought he’d beaten depression and addiction, but sadly, it was more than he could overcome. If you think someone is having issues, I’d urge you not to let it lie. Get them to talk to somebody. We thought Danny was ‘doing great,’ and likely misread the room. Hopefully, there are helpful lessons for anyone reading this.”

    Love Is Not Enough is available through Amazon and other major book retailers. Chess’s previous publications, Beers at the Nifty 2024, Just Lucky to be Here and Queenie and PA: Adventures in Grandparenting and Other Topics, are also available on Amazon.

    About the Author

    James Chess is an author and retired business professional who spent 35 years with the Coca-Cola Company. He lives in St. Simons Island, Georgia, with his wife, Marybeth. Chess writes a weekly Sunday column at BeersattheNifty.com, covering topics ranging from family life to current events. He has published over 300 posts on the site. His previous books, collections drawn from those writings, are available on Amazon. Love Is Not Enough is his first full-length memoir.

    Facebook: https://www.facebook.com/loveisnotenoughthebook/

    Instagram: https://www.instagram.com/loveisnotenoughthebook

    Website: www.BeersattheNifty.com

  • Retired Cleveland Firefighter and Working Los Angeles Actor Anthony Elfonzia to Publish Collection of 30+ Dream Narratives Recorded Over 20 Years

    Retired Cleveland Firefighter and Working Los Angeles Actor Anthony Elfonzia to Publish Collection of 30+ Dream Narratives Recorded Over 20 Years

    Hawthorne CA – 4/30/2026 – Parker Publishers has announced the forthcoming release of WTF’s in La La Land: An Anthology of Dreams, a collection of over 30 dream narratives by Anthony Elfonzia. Elfonzia is a retired firefighter from the Cleveland Fire Department and a SAG-AFTRA actor currently based in Los Angeles. The book is scheduled for publication in 2026.

    Elfonzia spent over 20 years in the Cleveland Fire Department before relocating to Los Angeles to pursue a career in acting. As a working member of SAG-AFTRA, he has continued to build his creative practice across performance and writing. The impulse behind the book, however, predates both careers. For more than 2 decades, Elfonzia recorded his dreams, first in notebooks and on scraps of paper, later through voice memos on his phone, capturing fragments of each experience before they faded. The project began as a private exercise in memory and evolved, without a plan, into a manuscript. The book is dedicated to Dolores O’Bryant, his spiritual advisor, who asked him during their first meeting, “Where is your book?” It took him 20 years to answer that question.

    The transcriptions preserve the raw, spoken quality of each recollection, including false starts, self-corrections, profanity, and moments where the dreamer loses the thread of the memory mid-sentence. The result is a book that reads less like traditional literature and more like an audio transcript of someone speaking into a recorder at 3 AM, trying to hold on to images before they dissolve. Chapters are numbered non-sequentially and carry titles drawn from each dream’s most distinctive image: “Crystal Bowl Kung Fu on the Back of a Firetruck,” “Bees in the Cow’s Head,” “The Clockmaker’s Warning,” and “Midget Killer,” among others.

    The collection spans genres without intending to. Some entries read as action sequences, with armed yacht takeovers and underground tunnels leading to subterranean cities. Others function as quiet domestic scenes: 2 estranged brothers reconciling at a family gathering, or a man searching through a closet full of ruined shoes before a function. Several entries take the form of post-dream conversations between Elfonzia and a second person, presented as dialogue transcripts that capture how 2 people process a shared dreaming life.

    Among the longer entries is “The Dream Master,” a 3-part narrative that reads as a self-contained speculative fiction piece. It follows 2 men on opposite sides of the world, one who dreams the future and one who dreams the past, whose visions begin to overlap until they are drawn to the same church in southern Spain along with nearly 100 other dreamers. Another extended entry, “The Second Coming,” presents a comedic and surreal reimagining of Christ’s return, continuing across a second chapter as a group of neighborhood children map a road trip through American towns named after biblical locations. The collection also includes “Garbage Wars,” a fully realized utopian concept in which the United States redirects its military infrastructure toward policing illegal waste dumping across the world’s oceans.

    “I never set out to make sense of them in a traditional way,” Elfonzia writes in the preface. “There are no symbols decoded here, no attempt to prove what dreams mean. Instead, what you will find are raw retellings, spoken into being and preserved on the page.”

    The book does not offer dream interpretation, psychological analysis, or symbolic decoding. Each chapter ends with a quotation about dreams from figures ranging from Sigmund Freud and Carl Jung to Edgar Allan Poe and Fox Mulder. Elfonzia positions the collection as an exercise in dream recollection and encourages readers to keep their own dream journals.

    WTF’s in La La Land: An Anthology of Dreams is forthcoming from Parker Publishers. The book will be available through major online retailers, including Amazon and Barnes & Noble. Publication details and release date will be announced on soon.

    About the Author

    Anthony Elfonzia is a retired firefighter from the Cleveland Fire Department and a SAG-AFTRA actor based in Los Angeles. He spent over 20 years documenting his dreams through voice recordings, notebooks, and handwritten notes before compiling them into his debut book. Outside of writing, Elfonzia continues to work as an actor and artist in Los Angeles. WTF’s in La La Land: An Anthology of Dreams is his first published work.

    For Any Media Inquiries, Please Contact Sia Stone

    Email: sia@parkerpublishers.com

    Phone no: +1 (689) 304-8480

  • A North Dakota Woman Wrote a Novel About Friendship, Witness Protection, and the Piece of Paper Her Father Made Her Crumple When She Was Eight

    A North Dakota Woman Wrote a Novel About Friendship, Witness Protection, and the Piece of Paper Her Father Made Her Crumple When She Was Eight

    Gina K. Trehus drew on her roots in small-town North Dakota to write a debut novel that follows one woman from a childhood lesson about bullying through a murder she was never supposed to witness, eleven years in hiding, infertility, and a walk home that ties it all together.

    MANDAN, N.D. — When Amalia Rose was eight years old, her father asked her to do something strange. He handed her a piece of paper and told her to crumple it up, stomp on it, and make a mess of it — but not to rip it. Then he told her to smooth it out and say sorry to the paper.

    She refused. She didn’t see the point.

    Her father pointed at the creases. No matter how many times you apologize, he told her, those scars will always be there. That’s what bullying does. That’s what cruelty does. You can’t un-crumple a person.

    That lesson sits at the center of Let’s Take a Walk, a debut novel by Gina K. Trehus of Mandan, North Dakota. It is also, in many ways, the thing the entire book is about — what happens to someone who gets crumpled, and whether they can build something whole from what’s left.

    A life told through one long walk

    The novel follows Amalia Rose, a young woman from a small town who grows up struggling with asthma, bullying, and the quiet conviction that she isn’t good enough. She’s placed in a resource room at school and assumes it confirms what the other kids already think. She finds her footing through martial arts, softball, and a tight circle of friends she meets across elementary school, junior high, and college — Jess, Madeley, Emilay, Irelaynd — women who stick with her long after graduation, through moves and marriages and the kind of life that doesn’t slow down to let you catch up.

    After college, the group relocates to California. They save for three years to take a trip to Hawaii together. They have ladies’ nights where someone always gets pranked. They are, in Amalia’s words, the six musketeers. The early chapters read like a scrapbook of the friendships women build in their twenties — the kind that become load-bearing walls in a life.

    Then Amalia loses her job over small clerical errors she was never told about. Unable to sleep, she decides to walk to her best friend’s house before sunrise. She wanders off the road. She stumbles into an abandoned building. And she witnesses a murder she was never supposed to see.

    A witness who can’t stop being found

    What follows is a story that shifts from a coming-of-age narrative into something far more dangerous. The two women who committed the murder chase Amalia into a bookshop, take hostages, and fire a gun at her through a plate-glass window. A sheriff intervenes. Amalia uses her martial arts training to disarm one of the women. She ends up in the hospital with a concussion. Her friends and family are placed into protective custody for eleven years.

    She moves back to Mandan, North Dakota — the place she grew up, a town small enough that she reasons nobody would think to look there. She reconnects with her parents. She tends a garden full of peas and corn and sunflowers. She pitches for a women’s softball team. She starts to rebuild.

    She meets a man named Nephreau at a dance club. He asks her to dance to a country song. He writes his number on a napkin. They marry on a cruise ship with a green-and-blue color scheme. He works for the government, though he won’t say more than that. He tells her: “As long as you are with me, you’re as safe as you can be.” She doesn’t yet know how literally he means it.

    The part of the book that doesn’t let go

    Midway through the novel, Amalia and Nephreau try to start a family. She is diagnosed with PCOS, fibroid tumors, and stage 4 endometriosis. They pursue IVF. The first attempt ends in a miscarriage at three months. A second pregnancy fails before it can take hold. They take out a loan for one final try.

    Trehus writes these chapters without sentimentality and without medical euphemism. Amalia sits on the bathroom floor looking at a fertilized egg that didn’t survive. She blames herself. She feels like a failure. Her husband holds her and says: “You are not alone in this. I am right here along with you.” They wait sixteen days for a test result that feels like a lifetime repeated over and over.

    The third attempt works. But Amalia develops a critically low platelet count at six months and is hospitalized in the ICU. The killers from California, now released from prison, discover her location through a double agent inside her husband’s own agency. They break into the house, handcuff her to the headboard, and hold a gun to her head while she is having contractions.

    SWAT breaches the bedroom. The baby, Evelyn Rose — their rainbow baby — is delivered by C-section after six weeks of hospitalization. Seven pounds, two ounces.

    Where it comes from

    Trehus grew up in Mandan, North Dakota, the same town where most of the novel is set. The landscape details — the road with trees that grow together into a tunnel of leaves in summer, the ditches full of cattails, the meadowlarks flying in and out of barley fields, the five-degree winter mornings with a slight breeze in the crisp North Dakota air — are written by someone who has lived inside them, not researched them.

    The novel draws on themes Trehus has navigated personally: the experience of learning differently and being placed in a resource room, the friendships between women that outlast geography and time, and the reality of health challenges that don’t follow a straight line. The book is dedicated to her family — her mother, father, sister Kayla, and grandmother — and to those who are no longer here, with the note: “It’s never goodbye, but always see you later.”

    The image that stays

    In the novel’s final pages, Amalia is standing in a hospital room holding her newborn daughter. Her husband is crying for only the second time she’s ever seen. Morning light is coming through the window. She looks down at Evelyn Rose and thinks about that crumpled piece of paper from when she was eight.

    She had become that paper. Stomped on, smoothed out, scarred. But the baby in her arms was something new — blank, untouched, a whole life ahead of her full of walks she couldn’t imagine yet.

    The book closes with Amalia, Nephreau, and Evelyn walking down the road toward town on a North Dakota evening, the sky painted orange and pink, meadowlarks calling across the fields the same way they did when Amalia was a child. She is asked if she’s ready to go home.

    “Yeah,” she says. “I’m ready.”

    Publication Details

    Title: Let’s Take a Walk

    Author: Gina K. Trehus

    Genre: Fiction / Women’s Fiction / Coming-of-Age

    Copyright © 2025 Gina K. Trehus

    Gina K. Trehus is available for interviews and media appearances.

    For Any Media Inquiries, Please Contact Sia Stone

    Email: sia@parkerpublishers.com

    Phone no: +1 (689) 304-8480

  • A Jamaican Born Sociologist Taught on Four Islands, Painted Canvases She Gave Away, and Raised Thousands for Students Who Couldn’t Afford Tuition. Now She Has Written Her First Book.

    A Jamaican Born Sociologist Taught on Four Islands, Painted Canvases She Gave Away, and Raised Thousands for Students Who Couldn’t Afford Tuition. Now She Has Written Her First Book.

    Dr. Paulette Ann Meikle has spent decades moving between the Caribbean, the American South, and the Pacific, studying communities, teaching students, and painting canvases she gives away. Her book The Journey draws on all of it: the sociology, the art, the faith, and the landscapes that shaped her understanding of how people and places hold each other together.

    Houston Texas, 4/30/2026 — Paulette Ann Meikle has a habit of giving her paintings away. She paints them in her studio, landscapes and florals and pieces rooted in the natural world, and then she hands them to family, friends, colleagues, or whoever she thinks needs something beautiful on their wall. She has donated dozens of works through an effort she calls Art with a Purpose, raising thousands of dollars for scholarship funds at Delta State University and for charities across Tennessee and Arkansas.

    She does not sell most of them. She gives them.

    That instinct, to make something and then release it into the world as an act of connection rather than commerce, runs through nearly everything Meikle has done in a career that has taken her from Jamaica, where she was born, through the University of the West Indies, Mississippi State University, Delta State University, the University of the Philippines, and the University of Arkansas at Fort Smith, where she has served as Associate Dean and Professor of Sociology.

    Now she has written a book. It is called The Journey, and it is the place where the sociology, the painting, the teaching, the faith, and the four decades of crossing oceans finally converge on the same page.

    A career built across three oceans

    Meikle’s academic path alone would fill a conventional biography. She earned her Ph.D. in Sociology from Mississippi State University, where she also taught. She served as Department Chair, Professor of Sociology and Community Development, and Director of the Center for Community and Economic Development at Delta State University in Cleveland, Mississippi, before moving to the University of Arkansas at Fort Smith as Associate Dean and Professor. Her research has been published in Community Development, the Journal of Rural Social Sciences, Equality, Diversity, and Inclusion, the Journal of Extension, and Caribbean Geography, among others, with additional work appearing through Sage, Emerald, and Nova Science.

    But a list of appointments and journals doesn’t explain the person. What explains Meikle is the movement: the fact that she has taught and studied on four islands and two continents, that her work in community development and racial and gender equity has been shaped by the specific textures of the Mississippi Delta, the Jamaican countryside, the Filipino coast, and the Arkansas River Valley. She has spent her career listening to what she describes as the quiet intelligence of people and place.

    What the book actually is

    The Journey is not an academic text. It is a work of poetry and reflection that weaves together the threads of Meikle’s life: her faith, her scholarship, her painting, and her experience as a Jamaican born woman who has lived and worked in communities across the Global South and the American South. The book is structured around themes of connection, resilience, and renewal, and it treats the natural world as both subject and teacher.

    Nature is central to everything Meikle makes. She describes her creative process as following the cycles she observes in the environment: observation, love, loss, surrender, and renewal. In her paintings, color functions as language. In her writing, language functions as something closer to light, a way of illuminating what is already there but not yet seen.

    The book invites a reader to slow down. Meikle has described it as a space to pause, breathe, and rediscover what she calls the sacred threads that connect people to one another, to God, to the environment, and to themselves. It is informed by decades of sociological research into community, identity, and belonging, but it speaks in the register of art and devotion rather than the social sciences.

    Where the art and the scholarship meet

    Meikle’s dual practice is unusual in any discipline. She publishes peer reviewed research on community development and environmental preservation while simultaneously painting and donating canvases to raise money for students who cannot afford tuition. It reflects a worldview in which knowledge and beauty are not separate pursuits but expressions of the same commitment: that the people and places around you deserve your full attention.

    Her Art with a Purpose initiative has produced dozens of works that have funded scholarships at Delta State University and supported charitable organizations in Tennessee and Arkansas. She does not maintain a gallery or a commercial presence. She paints, donates, or gifts, and then paints again. For Meikle, the act of giving the work away is not separate from the work itself. It is the point of it.

    The person behind the pages

    Outside of the classroom and the studio, Meikle gardens. She cooks and entertains. She hikes and volunteers. She describes these not as hobbies but as extensions of the same practice that drives her art and her research: cultivating beauty in everyday spaces, paying attention to what grows.

    Her life’s trajectory, from Jamaica to Mississippi to the Philippines to Arkansas, from department chair to painter to poet, is not a story of reinvention. It is a story of accumulation. Each landscape, each community, each student, each canvas has added a layer to the way she sees the world. The Journey is the first time she has put all of those layers into a single work.

    As she has written: her art is a meeting place of sacredness, passion, and scholarship, where color becomes language and language becomes light. The book is that meeting place, made public.

    Publication Details

    Title: The Journey

    Author: Dr. Paulette Ann Meikle

    Genre: Poetry / Reflections / Art & Nature

    Copyright © 2025 Dr. Paulette Ann Meikle Dr. Meikle is available for interviews, readings, and media appearances

    Facebook: https://www.facebook.com/Thejourneypoetryandpaintingsofdrpaulette/

    Instagram: https://www.instagram.com/authorpaulette/

  • An Austin Pilot Wrote a Thriller About the Darkest Thing a Private Airplane Could Be Used For.

    An Austin Pilot Wrote a Thriller About the Darkest Thing a Private Airplane Could Be Used For.

    Media Contact: Don Vallee | donvallee.author@gmail.com

    Austin, Texas

    Retired IT professional and instrument-rated pilot Don Vallee drew on 30 years in technology and thousands of hours in the cockpit to write Flying Into Darkness — a novel about a man whose childhood trauma, crumbling marriage, and newfound freedom in the sky converge into something no one around him sees coming.

    AUSTIN, Texas — Don Vallee knows what it sounds like when a stall warning horn goes off at 1,200 feet. He knows the procedure for contacting approach control over Glens Falls, the feeling of a crosswind pushing a Piper Cherokee sideways on short final, and the specific radio frequency you’d dial to light up a dark runway at an uncontrolled airfield in rural Pennsylvania.

    He also knows, from three decades in information technology, exactly how a skilled data professional could exploit digital patterns to locate strangers online without leaving a trace.

    He put both of those things into one character. The result is Flying Into Darkness, his debut novel, published by Parker Publishers.

    What the novel is about

    Evan Williams killed his father at age nine to protect his mother from a beating. He served eight years in juvenile detention, had his record sealed, and built a quiet life as a data architect in Albany, New York. He married a woman named Jenna. They bought a house near the airport. For twenty years, nothing about their life suggested what was underneath.

    When Evan’s mother is diagnosed with terminal brain cancer, he begins spending weeks on Long Island caring for her. Jenna, left alone for months, joins an online infidelity platform and begins meeting a younger man. To fill Evan’s own time, she researches flight schools and signs him up for lessons at a local outfit called TIME2FLY. It’s meant as a gift. It becomes something else.

    Evan earns his pilot’s certificate, starts volunteering for a medical transport nonprofit, and discovers a sense of freedom he hasn’t felt since childhood. Then he finds out about the affair. The childhood trauma he spent 25 years burying resurfaces — and now he has the skills, the mobility, and the emotional justification to act on it. He begins using his airplane and his data expertise to track and target women from the infidelity site across the Northeast.

    Why the details feel different in this one

    Vallee, 67, is an instrument-rated private pilot based in Austin. The distinction matters. Most thrillers that involve small aircraft treat flying as set dressing — a character hops in a plane and lands somewhere. In Flying Into Darkness, the aviation is structural. Readers experience the full learning curve: the introductory flight over Lake George, the ground school sessions, the first solo, the nerve of communicating with air traffic control for the first time. The airplane isn’t a prop. It’s the mechanism that makes the crimes possible and the escape attempt plausible.

    The technology layer is similarly grounded. Vallee spent his career in IT, and his protagonist’s methods for locating victims reflect a real understanding of data architecture, digital footprints, and pattern recognition. The investigative process on the law enforcement side — tracking credit card transactions at fuel pumps, requesting FAA radar assistance, coordinating across jurisdictions — follows real procedural logic rather than fictional shortcuts.

    The marriage at the center

    Beneath the thriller mechanics, the novel spends considerable time inside a marriage that is falling apart in the most ordinary way. Evan makes scrambled eggs in the morning while Jenna checks messages from another man in the shower. They eat breakfast in silence. She tells him she’s working late; he orders pizza and watches crime documentaries alone in his recliner. He rubs her back in bed; she rolls over and says she’s tired.

    Vallee doesn’t write Jenna as a villain. She’s lonely, neglected during a difficult period, and genuinely conflicted about what she’s doing. She still keeps her wedding rings in a jewelry box after the divorce. She still has a framed photo of the two of them at Lake George on her fireplace mantel. The novel’s tension comes not from simplifying these people but from refusing to.

    A climax that unfolds at altitude

    The novel’s final act plays out almost entirely in flight. When Evan spots a line of police cars waiting on the tarmac at Albany International, he aborts the landing and disappears. He shuts off his transponder, drops to 500 feet, and follows the Hudson River south past Manhattan and the Statue of Liberty. The FBI can’t find a plane to follow him. State Police helicopters are unavailable. Law enforcement is left tracking fuel purchases and waiting.

    He flies to his ex-wife in Philadelphia. Then he flies north toward the Adirondacks and aims the airplane at the side of Whiteface Mountain. At the last possible moment, his body overrides his decision. His hands pull back the yoke. The landing gear scrapes treetops. He survives.

    He refuels in Lake Placid, contacts the tower, and asks them to tell the police he’s coming in. His final landing in Albany is the smoothest he’s ever made.

    About Don Vallee

    Vallee retired from a long career in information technology and holds an instrument rating as a private pilot. He lives in Austin, Texas, with his wife, Michele Matzen. Outside of writing, the two work as background actors and extras in film and television across central Texas under the name Cast-a-Couple — a brand they created together and maintain on Instagram and Facebook.

    The book is dedicated to his stepdaughter, Mercedes Matzen, whom he describes as “a beautiful and compassionate soul taken much too soon.”

    Flying Into Darkness is his first novel.

    Publication Details

    Title: Flying Into Darkness

    Author: Don Vallee

    Publisher: Parker Publishers

    Genre: Fiction / Thriller

    Copyright © 2025 Don Vallee | First Edition

    Don Vallee is available for interviews and media appearances.

    Contact: donvallee.author@gmail.com

    Instagram: https://www.instagram.com/flyingintodarkness

    Facebook: https://www.facebook.com/flyingintodarkness/

    website link: https://donvalleeauthor.com/book-club/